Following the surprise success of Roger Corman’s 1966 biker movie The Wild Angels with Japanese audiences, Toei studios made the smart move to try and cash in on its popularity with their own example of the genre. Delinquent Boss was also a hit and spawned no less than sixteen sequels, four of which were released as soon as the following year.
Rival studio Nikkatsu wanted a piece of this pie and so they promptly commissioned a biker film from screenwriter Shuichi Nagahara and director Yasuharu Hasebe, both of whom had recently made their debuts with reasonably strong and, perhaps most importantly, low budget genre pictures – 3 Seconds to Explosion and Black Tight Killers respectively.
Though the origins of their project were about following in the footsteps of other filmmakers, Nikkatsu’s biker films would be different. Theirs would be about a female biker gang. Continue reading “An introduction to the Stray Cat Rock films”